<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8294064919549903281</id><updated>2012-02-16T09:16:31.550-06:00</updated><title type='text'>Jonelle Seitz</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.jonelleseitz.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8294064919549903281/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://www.jonelleseitz.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Jonelle Seitz</name><uri>http://www.blogger.com/profile/17887733510282700949</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8294064919549903281.post-2861635625760018233</id><published>2011-07-10T00:04:00.019-05:00</published><updated>2012-02-13T15:12:04.991-06:00</updated><title type='text'>Dance Writing—Austin Chronicle</title><content type='html'>&lt;a href="http://www.austinchronicle.com/arts/2012-02-10/moulin-rouge-the-ballet/"&gt;Review: Moulin Rouge: The Ballet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2012-02-03/les-ballets-trockadero-de-monte-carlo/"&gt;Les Ballets Trockadero de Monte Carlo&lt;/a&gt; (profile)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2012-01-06/top-10-1-dances-with-big-heart-in-2011/"&gt;Top 10 (+ 1) Dances with Big Heart in 2011&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-12-16/of-mice-and-music-a-jazz-nutcracker/"&gt;Review: Of Mice &amp; Music: A Jazz Nutcracker&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-12-02/seizing-the-day/"&gt;Review: FlashDance, but Flashier: 30 More Dances in 60 Minutes&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-12-02/seizing-the-day/"&gt;Seizing the Day&lt;/a&gt; (feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/authors/jonelle-seitz"&gt;Gibney Dance Community Action Residency&lt;/a&gt; (feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-10-28/white-road-dance-media-deer-to-me/"&gt;Review: white road Dance Media: &lt;i&gt;Deer to Me&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-10-07/aphrodite-dances-chocolate/"&gt;Review: &lt;i&gt;Aphrodite Dances: Chocolate&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-09-30/the-mozart-project/"&gt;The Mozart Project&lt;/a&gt;(feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-08-26/trash-take-two/"&gt;Trash, Take 2&lt;/a&gt; (feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-07-22/jennifer-hart/"&gt;Jennifer Hart: Dancing to Quebec&lt;/a&gt; (interview feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-07-08/big-range-austin-dance-festival/"&gt;Review: Big Range Austin Dance Festival&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-06-10/califa-arts-collaborative/"&gt;Califa Arts Collaborative&lt;/a&gt; (feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-06-03/up-down-under-and-through/"&gt;Review: &lt;i&gt;Up, Down, Under, and Through&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-05-13/the-magic-flute/"&gt;Review: &lt;i&gt;The Magic Flute&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-04-15/voices/"&gt;Review: &lt;i&gt;Voices&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-04-01/studio-theater-project/"&gt;Review: Studio Theater Project&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-03-25/silence-within-silence/"&gt;&lt;i&gt;silence within silence&lt;/i&gt;&lt;/a&gt; (interview feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-02-18/la-sylphide/"&gt;Review:&lt;i&gt;La Sylphide&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-02-11/parampara-part-ii/"&gt;Review: &lt;i&gt;Parampara, Part II&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2011-01-07/top-10-its-alive-moments-in-dance-of-those-events-i-happened-to-see-in-2010/"&gt;Top 10 "It's Alive!" Moments in Dance, of Those Events I Happened to See in 2010&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-12-24/radio-city-christmas-spectacular/"&gt;Review: &lt;i&gt;Radio City Christmas Spectacular&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-11-05/voices-of-rhythm/"&gt;Review: &lt;i&gt;Voices of Rhythm&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-10-22/body-shift/"&gt;Body Shift&lt;/a&gt; (feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-10-22/all-things-animate/"&gt;&lt;i&gt;All Things Animate&lt;/i&gt;&lt;/a&gt; (feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-10-08/one/"&gt;Review: &lt;i&gt;One&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a ref="http://www.austinchronicle.com/arts/2010-10-01/cuando-los-disfraces-se-cuelgan-carmina-burana-and-kai/"&gt;Review: &lt;i&gt; Cuando los Difraces se Cuelgan&lt;/i&gt;; &lt;i&gt;Carmina Burana&lt;/i&gt; and &lt;i&gt;Kai&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-09-17/1083938/"&gt;Review: &lt;i&gt;Influences: A Cinematic Showdown&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-05-07/1025407/"&gt;&lt;i&gt;Coppelia&lt;/i&gt;&lt;/a&gt; (feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-04-02/988033/"&gt;Review: New American Talent/Dance&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-03-12/977717/"&gt;Review: &lt;i&gt;Cancion del Cuerpo&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-02-19/967928/"&gt;Review: Truth and Beauty: The Bach Project&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-02-12/960480/"&gt;Forklift Danceworks&lt;/a&gt; (feature)&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-02-05/951062/"&gt;Review: &lt;i&gt;.more&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-01-15/938194/"&gt;Review: A Voice of Her Own&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2010-01-01/933381/"&gt;Review: Top 9 Lasting Impressions in Dance from 2009&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-12-11/927790/"&gt;Review: &lt;i&gt;IN under &amp; through&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-11-13/908002/"&gt;Review: Freefall&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-10-09/891455/"&gt;Review: Season Opener: &lt;i&gt;Swan Lake&lt;/i&gt; (Act II) and &lt;i&gt; The Firebird&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-09-18/864259/"&gt;Review: &lt;i&gt;The Trash Project&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-08-28/826225/"&gt;Review: &lt;i&gt;Flush&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-07-17/810622/"&gt;Fourth Annual Ultimate Book and Dance Affair&lt;/a&gt;&lt;br /&gt;&lt;a href=http://www.austinchronicle.com/arts/2009-07-03/803433/"&gt;Review: &lt;i&gt;Department of Angels&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-06-26/799090/"&gt;Review: &lt;i&gt;Impermanence&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-06-12/792519/"&gt;Big Range Austin (Program C)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-06-05/789858/"&gt;Big Range Austin (Program A)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-05-15/781930/"&gt;Review: &lt;i&gt;Cinderella&lt;/i&gt;; &lt;i&gt;Mi Madre y Yo&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-04-10/764620/"&gt;Review: &lt;i&gt;Circumstantial Playground&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-04-03/762460/"&gt;Review: Studio Theater Project&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-02-27/748673/"&gt;Culture Club&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-02-13/739636/"&gt;Garth Fagan Dance&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-02-06/736461/"&gt;Retracing Their Steps&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2009-01-02/721390/"&gt;Top 10 Dance Phenomena&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2008-12-26/719024/"&gt;Dancing Over Lights on Congress Avenue&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2008-12-05/710366/"&gt;Movin' On Up&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2008-10-24/693467/"&gt;Balanchine, by the Muse&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2008-06-27/640026/"&gt;Aztlan Dance Company: A Dancer's Life&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2008-06-06/632093/"&gt;Big Range Austin Dance Festival&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.austinchronicle.com/arts/2007-11-16/561415/"&gt;&lt;i&gt;Footprints&lt;/i&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8294064919549903281-2861635625760018233?l=www.jonelleseitz.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8294064919549903281/posts/default/2861635625760018233'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8294064919549903281/posts/default/2861635625760018233'/><link rel='alternate' type='text/html' href='http://www.jonelleseitz.com/2011/07/dance-writing-austin-chronicle.html' title='Dance Writing—&lt;i&gt;Austin Chronicle&lt;/i&gt;'/><author><name>Jonelle Seitz</name><uri>http://www.blogger.com/profile/17887733510282700949</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8294064919549903281.post-3771385296871377118</id><published>2008-12-08T11:39:00.009-06:00</published><updated>2011-07-27T22:52:39.478-05:00</updated><title type='text'>Dance Writing—Other Publications</title><content type='html'>&lt;a href="http://austin.decider.com/articles/house-lights-backstage-at-the-nutcracker,1236/"&gt;House Lights: Backstage at &lt;i&gt;The Nutcracker&lt;/i&gt;&lt;/a&gt; (interview), &lt;i&gt;A.V. Club Austin&lt;/i&gt; (Dec. 2008)&lt;br /&gt; Random Acts (feature), &lt;i&gt;River City Renaissance&lt;/i&gt; (Spring 2007)&lt;br /&gt;New York/Boston (review), &lt;i&gt;Dance Europe&lt;/i&gt; (May 2006)&lt;br /&gt;Cinders in Boston (review), &lt;i&gt;Dance Europe&lt;/i&gt; (Dec. 2005)&lt;br /&gt;Falling Angels (review), &lt;i&gt;Dance Europe&lt;/i&gt; (May 2005)&lt;br /&gt;&lt;a href="http://www.westword.com/2003-08-07/calendar/aerial-explosions/"&gt;Aerial Explosions&lt;/a&gt; (feature),&lt;i&gt;Westword&lt;/i&gt; (Aug. 2003) &lt;br /&gt;&lt;a href="http://www.westword.com/2003-05-22/calendar/reinventing-dance/"&gt;Reinventing Dance: Tango Mujer Puts Women in the Spotlight&lt;/a&gt; (feature), &lt;i&gt;Westword&lt;/i&gt; (May 2003)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8294064919549903281-3771385296871377118?l=www.jonelleseitz.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8294064919549903281/posts/default/3771385296871377118'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8294064919549903281/posts/default/3771385296871377118'/><link rel='alternate' type='text/html' href='http://www.jonelleseitz.com/2008/12/decider-behind-scenes-with-michelle.html' title='Dance Writing—Other Publications'/><author><name>Jonelle Seitz</name><uri>http://www.blogger.com/profile/17887733510282700949</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8294064919549903281.post-2891137674814590699</id><published>2008-11-17T12:27:00.008-06:00</published><updated>2011-07-27T22:48:54.026-05:00</updated><title type='text'>Other Arts Writing</title><content type='html'>&lt;a href="http://feministreview.blogspot.com/2009/12/unrest-poems.html"&gt;Review: &lt;i&gt;Unrest: Poems&lt;/i&gt;&lt;/a&gt; (&lt;i&gt;Feminist Review&lt;/i&gt; blog, Dec. 2009)&lt;br /&gt;&lt;a href="http://feministreview.blogspot.com/2009/12/violet.html"&gt;Review: &lt;i&gt;Violet&lt;/i&gt;&lt;/a&gt; (&lt;i&gt;Feminist Review&lt;/i&gt; blog, Dec. 2009)&lt;br /&gt;&lt;a href="http://feministreview.blogspot.com/2009/07/poems-from-womens-movement.html"&gt;Review: &lt;i&gt;Poems from the Women's Movement&lt;/i&gt;&lt;/a&gt; (&lt;i&gt;Feminist Review&lt;/i&gt; blog, July 2009)&lt;br /&gt;&lt;a href="http://feministreview.blogspot.com/2009/06/king-poems.html"&gt;Review: &lt;i&gt;The King: Poems&lt;/i&gt;&lt;/a&gt; (&lt;i&gt;Feminist Review&lt;/i&gt; blog, June 2009)&lt;br /&gt;&lt;a href="http://feministreview.blogspot.com/2009/05/let-me-down-easy-zach-theatre-austin.html"&gt;Review: &lt;i&gt;Let Me Down Easy&lt;/i&gt;&lt;/a&gt; (&lt;i&gt;Feminist Review&lt;/i&gt; blog, May 2009)&lt;br /&gt;&lt;a href="http://feministreview.blogspot.com/2009/01/oneiromance-epithalamion.html"&gt;Review: &lt;i&gt;Oneiromance: An Epithamalion,&lt;/i&gt;&lt;/a&gt; (&lt;i&gt;Feminist Review&lt;/i&gt; blog, Jan. 2009)&lt;br /&gt;&lt;a href="http://feministreview.blogspot.com/2008/11/american-therapy-rise-of-psychotherapy.html"&gt;Review: &lt;i&gt;American Therapy: The Rise of Psychotherapy in the United States&lt;/i&gt;&lt;/a&gt; (&lt;i&gt;Feminist Review&lt;/i&gt; blog, Nov. 2008)&lt;br /&gt;&lt;a href="http://austin.decider.com/articles/house-lights-ophelia,917/"&gt;House Lights: &lt;i&gt;Ophelia&lt;/i&gt;&lt;/a&gt; (&lt;i&gt;A.V. Club Austin,&lt;/i&gt; Nov. 2008)&lt;br /&gt;&lt;a href="http://www.westword.com/2003-07-31/calendar/phamaly-plays-together/"&gt;PHAMALy Plays Together&lt;/a&gt; (&lt;i&gt;Westword, &lt;/i&gt; July 2003)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8294064919549903281-2891137674814590699?l=www.jonelleseitz.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8294064919549903281/posts/default/2891137674814590699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8294064919549903281/posts/default/2891137674814590699'/><link rel='alternate' type='text/html' href='http://www.jonelleseitz.com/2008/11/review-of-dustin-willis-ophelia.html' title='Other Arts Writing'/><author><name>Jonelle Seitz</name><uri>http://www.blogger.com/profile/17887733510282700949</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>
